What is the difference between cajun fiddle and country fiddle, and bluegrass fiddle?
I know it’s different because of the different instruments you put them to. But how are they different in song styles?
The biggest difference is the way the bow is used, bowing is what makes Cajun, Bluegrass and country sound different. The fingering is somewhat different , but it depends on how the fiddlle is played.
Cajun Waltz, Grand Prairie, on twin fiddles – Fiddling Thomsons, Hampton, NH
A father and son duo – Ryan and Brennish Thomson perform for the Hampton Historical Society, Hampton New Hampshire, on September 4, 2010. In this video they play a medley of 3 Irish jigs – Cannaught Man’s Rambles, My Darling Asleep, and Morrison’s JIg. The Fiddling Thomsons perform throughout New England. Ryan teaches several different instruments and produces instructional books, videos, and recordings. Visit the Captain Fiddle web site at http://www.captainfiddle.com
Duration : 0:2:23
Jambalaya – BJG Roots Music “Live in Milan”
What is BJG? “B” for Bluegrass, “J” for Jazz, “G” for Gospel
“Jambalaya (On the Bayou)” is a song credited to American country music singer Hank Williams that was first released in 1952. Named for a Creole and Cajun dish, jambalaya, it spawned numerous cover versions and has since achieved popularity in a number of music genres.
With a melody based on the Cajun song “Grand Texas”, some sources, including Allmusic, claim that the song was co-written by Williams and Moon Mullican, with Mullican uncredited but receiving ongoing royalties. Other sources[who?] claim that this was one of several songs which Williams purchased from other writers; a practice that was relatively common in “show business” at the time.
Released in 1952, crediting Williams as the sole author, it was performed by Williams as a country song. It reached #1 on the U.S. country charts, and remains one of his most popular songs today.
Cajun Roots of the Song
Since the original melody of the song was from a Cajun French song called “Grand Texas”, the song is a staple of cajun culture. Although Williams changed the lyrics, he kept a Louisiana theme. In addition, Cajuns readily identified with the soulful sound of Williams. After Williams released his version, Cajuns recorded the song again using Cajun instruments. However, this time they used Williams’ lyrics translated into the Cajun French language. Over the past few decades, the Cajun French version has been performed by many Cajun bands including Aldus Roger and Joel Sonnier.
Theme
Williams’ song resembles “Grand Texas”, a Cajun French song, in melody only. “Grand Texas” is a song about a lost love, a woman who left the singer to go with another man to “Big Texas”. Jambalaya, alternately, is about life, parties and stereotypical food of Cajun cuisine. The song has a Cajun theme, possibly inspired by Williams’ time with the Louisiana Hayride, though Louisiana Hayride was recorded in Shreveport, a city with very little Cajun cultural influence. Referenced within the song are such Cajun dishes as jambalaya, crawfish pie, and filé gumbo. Williams sings of “Yvonne” in the song, referring to her as my ma cher amio, which is considered poor Cajun French for “my dear” (redundantly Williams uses the word “my” before the French “ma”), and has caused some confusion among listeners, particularly given his pronunciation. The refrain “son of a gun, we’ll have big fun on the bayou” has become a well-recognized and often repeated phrase.
Williams composed a sequel to the song from the female perspective, “I’m Yvonne (Of the Bayou)”, with Jimmy Rule. It was not as popular. As with “Jambalaya” there is speculation that Williams may have purchased this song from Mullican.
Later researched by a member of Moon’s family, a story emerged about how the song came about in the first place, and it was said that while visiting a small bar located just south of the Choupique Bayou and owned by Yvonne Little, the song Jambalaya referred to some truly wonderful times had there.
Cover versions
Sheet music of “Jambalaya (On the Bayou)” with Jo Stafford on the cover
Another, even more popular at the time, version of the song was the 1952 cover version recorded by Jo Stafford, reaching #3 on the Billboard pop charts (and making the song well known to people other than country music fans). Mitch Miller had originally intended Jambalaya to be recorded by Jimmy Boyd for Columbia Records. Boyd turned the song down and Miller recorded it with Jo Stafford. Years later Jimmy Boyd did record it for Dot records. It was further popularized in a Rock’n'Roll version by Fats Domino.
http://en.wikipedia.org/wiki/Jambalaya_(On_the_Bayou)
Clive Riche – vocals
Daniela Velli – vocals
Piera Pizzi – vocals
Enrico Cresci – ellectric Guitar, vocals
Alberto Contri – el. & ac. guitars, mandolin, vocals
Danilo Cartia – banjo, acoustic guitar, vocals
Leonardo Petrucci – mandola, acoustic guitar, vocals
Michele Anselmi – steel guitar, harmonica, vocals
Stefano Tavernese – violin, ac. guitar, washboard, vocals
Michael Supnick – trumpet, trombone
Carlo Ficini – trombone
Cristiana Polegri – saxophones, vocals
Gianluca Galvani – tuba
Silvia Manco – piano, vocals
Vincenzo Lucarelli – Hammond organ
Francesco Puglisi – electric bass
Derek Wilson – drums
Recorded live in Milan 23rd of november, 2007
Produced by FONDAZIONE PUBBLICITA’ PROGRESSO
Alberto Contri – artistic director
Enrico Cresci – musical director
Per informazioni contattare Vania Pavan, Fondazione
Pubblicità Progresso – Via Mercalli, 11 – 20122 Milano
Tel. (+39) 02 5830 4448 oppure (+39) 393 9120349
v.pavan@pubblicitaprogresso.org
Posted by:
http://www.michaelsupnick.com
Duration : 0:4:31
Cajun-music by The Balfa Doucet Brothers at Heleneholms Library
This is a performance by a Swedish Cajun-band, Balfa Doucet Brothers, who attends Heleneholms Gymnasium of Music in Malmö.
Fr.L:
Upright Bass: Jean-Henry Blenaird Doucet
Accordion % Vocal: Blanchard Pomee Leger T. Doucet
Slide-guitar & Vocal: Dugas-Allain Poirier Cabri-Cher Doucet
12-stringed Acoustic Guitar: Jean-Marie Bujeau Daigle-LeJeune Doucet
Washboard: Gumbo Savoie Sonnier Doucet
Three-stringed Banjo: Roy-Daigle Tayaut Coo Doucet
Duration : 0:4:53
TV studio impromptu jam session – Ryan Thomson’s fiddle and accordion archives
Two bands and the studio audience join Ryan Thomson “Captain Fiddle,” for a lively version of a Hank Williams song. Musicians include Ralph Tufo on accordion, Larry Plitt on steel guitar, and other musicians who happened to be in the Salem, Massachusetts studio. Ryan’s website – http://www.captainfiddle.com Ryan performs and teaches on several different instruments.
Duration : 0:2:54
Scottish fiddle jigs at Tuck Museum fund raiser – Fiddling Thomsons, Hampton, NH
A father and son duo – Ryan and Brennish Thomson perform for the Hampton Historical Society fund raiser for the Tuck Museum, Hampton New Hampshire, on September 4, 2010. In this video they play a medley of 2 scottish jigs, One Hundred 100 Pipers, and of the North. The Fiddling Thomsons perform throughout New England. Ryan teaches several different instruments and produces instructional books, videos, and recordings. Visit the Captain Fiddle web site at http://www.captainfiddle.com
Duration : 0:3:47
